It’s product photography, made in 3D. I build your product once, and every finish, colour and view you need comes out of that one model. No samples to manufacture, no studio to set up and no reshoot every time you launch a new colour. Hundreds of perfectly matched images for your catalogue, your website and your marketplaces — and the more finishes each product has, the less each image costs.
This kitchen was built once. Every new finish is a parameter, not a day in the studio. That’s why product number 400 costs the same as product number 3.
The i-200 handle by Didheya (Irun, Spain). Same product, same framing, same light. The only thing that changes from one image to the next is a material parameter.


















The scene is built once and serves the whole range. Changing the finish doesn’t mean reshooting the set.
A single 3D model of the pedal bin, with three finishes on top. For each one: two catalogue views, the lid open and a kitchen scene. One more finish is one more row, not another photo shoot.












How it’s priced. The pilot is 25 images (one model in 5 variants) for €250 + VAT. In full catalogues, from €5 per image.
See pricing →If any of these four sounds like you, get in touch. These are the projects where the difference really shows. Completed cases: a luminaire in 529 combinations, Didheya handles in 18 finishes and the J. Ramón Grau 50-066 knob in 8 finishes.
You have 120 products in 18 finishes and photos of thirty. You need all 2,196, all with the same light and the same framing, and no photo shoot is going to give you that.
New products arrive every season and the images always come late. Here the new product is built on what is already set up and is ready in days, not weeks.
You want to show the new colour before producing it: to validate it with your sales team, for pre-sales, or to take it to a distributor without paying for a mould.
A short video that shows how the part is installed, how it comes apart or how the assembly fits together. For the product page, the website, trade fairs and social media.
It’s not a retouched photo or an AI-generated image: it’s a 3D render of your product. Your product is built to measure, with its real dimensions and materials, so aged brass is exactly your aged brass, and it comes out identical in all 300 images. AI can’t guarantee that: every time you run it, you get something different.
Product packshots, assembly animation, lifestyle and advertising. It all comes from the same files, prepared once.
Ideally the product’s CAD file — STEP, IGES, SLDPRT or similar: with that, the part is exact from the very first minute. If you don’t have it, a dimensioned drawing works. And if you don’t have that either, photos of the product from every side plus the main dimensions will do.
If you have neither an accurate drawing nor usable images, I need the physical product. You send it, I measure it, model it and send it back. That step can’t be skipped: for the image to be your product and not something that looks like it, someone has to measure it.
By the batch, with a fixed quote agreed before we start. I don’t do one-off images: the pilot is 25 images (one model in 5 variants) for €250, and in full catalogues the price per image comes down to €5, because the cost is in preparing the part, and that is done only once. Prices exclude VAT. You know what you’ll pay and how many images you’ll get.
What moves the price is the number of products, how many finishes each one has, how many views you need and whether there are lifestyle scenes. The higher the volume, the less each image costs, because the big job is preparing the first one.
The first test image, within 48 hours. After that, the lead time depends on the size of the catalogue, and we agree it in writing in the quote, together with the price.
To give you an idea: once a product is set up, producing its 18 finishes doesn’t take 18 times as long. That’s the whole difference with a photo shoot.
Before running the whole catalogue I send you one image to approve. Adjustments to finish, lighting and framing on that first image are included: we keep refining it until the aged brass is your aged brass.
Only when you sign it off does the rest go into production. That way, what gets redone is one image, not three hundred.
You do, for any use and with no time limit: website, printed catalogue, marketplaces, trade fairs, social media and advertising. No per-use or per-year licences.
If you’d also like to keep the 3D model of the product for later use, it can be delivered; tell me and we’ll include it in the quote.
I’m happy to sign a non-disclosure agreement, and it’s standard when the product isn’t on the market yet.
Nothing you send me appears on my website or social media until you say yes, or until you have published the product yourself.
However you need them: JPG for web and marketplaces, PNG with a transparent background for layouts and catalogues, and print-resolution TIFF if you are going to print.
With the files named by product and finish, following your own naming convention, so uploading them to your website isn’t another job.
A photo shoot needs the product manufactured in every finish, taken to the studio and shot again for each variant. With a product render, the product is built once in 3D with its real dimensions and materials, and every finish, colour or view comes out of that same model with the same light and the same framing.
For a product with two or three finishes, photography pays off. From four or five finishes per product, or if some finishes haven’t been manufactured yet, rendering is cheaper and more consistent. Here are three catalogues made this way.
Yes. Assembly and exploded-view animations: how the part is installed, how the assembly fits together or how it opens. They are made on the same product that is already set up, so they cost far less than starting from scratch.
Also 360° spins for the product page.
Wondering how much it costs? It’s all explained on the pricing page. Did not find your answer here? Write to me and I’ll answer it.
Pick a part from your catalogue, send me the CAD — or a few photos and the dimensions if you don’t have it — and I’ll send you back a test image with its finishes. No commitment and no cost. If it works for you, we quote the rest of the catalogue; if not, you keep the image.